
Bali. People. Frangipani.
In Balinese workshops, we met the people whose work shapes the Frangipani collection. We revisit those encounters and the daily life of the workshops.
Read moreFrangipani Journal
We visit Balinese workshops and meet the people who make our collection. We also explore materials and the choices that shape a home.
Frangipani StoriesFrangipani Stories
People and places in Bali, the beginnings of the collection and the objects' journey to Europe. Explore the stories in the Frangipani archive.

In Balinese workshops, we met the people whose work shapes the Frangipani collection. We revisit those encounters and the daily life of the workshops.
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Packing by hand, wooden crates and the final preparations for departure. This is how Frangipani objects begin their journey from Bali to Europe.
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On small batches, the differences between individual pieces and the time that handcraft requires.
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Our collection in the light of Bali. A photoshoot centred on texture, proportion and setting.
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From clay to a finished vase: shaping, drying and firing. Inside the workshops where Frangipani terracotta is made.
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Fabric, stitching, handles and label: a closer look at the Frangipani bag, detail by detail.
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01 / Craft
Look closely at a vase's edge, its tonal shifts and the slight irregularities of its surface. These details give a handmade object its character: two examples of the same design may differ slightly.
In the showroom, compare textures up close, from smooth surfaces to pronounced relief. Notice how the object's surface changes as you walk around it.
From the workshops of Bali




02 / Materials
Light changes the way stone reveals its pattern. Look at it by a window, then beside a lamp: different veins, tonal shifts and surface details will emerge.
Light and dark chess pieces show how much contrast alone can achieve. When choosing an object, compare its tone with the tabletop and the wall. Check whether its details remain clear from a few steps away and at different times of day.

03 / Interiors
Give a large vase or sculpture some space. A smaller piece can sit on a stable sideboard; a larger one can stand on the floor beside it. View it from the room's entrance before adding more objects.
Leave room on a table for everyday use. A low object allows people sitting opposite each other to talk comfortably; a taller piece can be placed to one side. Before choosing a size, mark out its base on the surface with paper or tape.
The Frangipani collection
Return to the photographs, compare the dimensions with your chosen spot and notice what catches your eye. Start with a single vase, sculpture or piece of furniture.